Set in Ireland it is the story of three perpetual losers, who despite their many schemes are still as broke as ever and find themselves driving the length of the island trying to pull of that One scam which will set them up. Events kick off in Belfast where the guys, looking for a few pounds, agree to interfere with a greyhound race, in return for a greyhound to them from a local bookie, the kind of bookie (Sean McGinley, Republic of Doyle, 2010) who you do not want to owe money to and things go downhill from there. Directed by Paddy Breathnach (I went Down, 1997) and staring Allen Leech (The Imitation Game, 2014), who is nominally the brains of the outfit, Ciaran Nolan (dead Men Walking, 2008) the superstitious and unlucky unfortunate who at least tries to do something; and of course “Cerebral Paulsy” the grass smoking, brain fried one of the three constantly catching up.
Having been sold a pig-in-poke as it were, the dog they were given is useless and not capable of doing any good. This of course provides a whole set of challenges for the boys. Their luck might be changing though. They have been noticed by others. The wealthy widow of a former dog owner has a dog that can do what is needed, she gives them the dog, as a means to destroy their not so friendly bookie.
They enter the dog I a race only to find it did not even leave the box at the start. As if their day could not get any worse, the bookie finds them, kidnaps them and lets it be known that he finds them personally responsible for the race they nobbled and demands £50,000 from them. Not having this, they need to produce it fast. They head south to the Republic to try the dog but to no avail. About to give up, they sell the dog to travellers (Pat Short, Garage 2007) where they quickly realise the dog is actually guite good, it is just that he does not chase plastic hares, only real ones.
They guys decide to rob back the dog. Needless to say this does not exactly go as planned and a night of mayhem ensues. The rest of the film is about the three boys making their way south to the coursing fares and in the process trying to raise cash to enter the dog in the necessary races while at the same time avoiding Belfast bookies and various travellers.
Eventually as they get set-up at the Clonmel Coursing festival, their bookie and the travellers are also there and all want their share of the guys. The dog proceeds to win its races and of course draw the attention of said folks. Ultimately the boys are trapped in to a corner which Scud manages negotiate themselves out of. The negotiations work for them, and the film closes with us seeing how the guys are finally seeing some success.
What Breathnach manages to do is not only to pull together the story by Pearse Elliot (Shrooms) who he wrote with a number of times, but managed to do it so well. There are a number of set-piece situational gags, some excellent one liners and even a couple of continuing character jokes. The movie works well, some of the gags are sign-posted but that possibly adds to the enjoyment as we have a certain sense of expectation. It might be tempting to compare this movie to others such as RocknRolla (Guy Ritchie, 2008). On the surface they are both drama comedies but are very different styles, Dog is more of a series of well stitched together sketches while with RocknRolla the humour flows differently, bit excellent comedies, but both very different comedies both is style and nature. Man About Dog needs to be viewed as an Irish comedy and with the associated style.