Once more the folks from New Zealand have managed to provide anotherclassic and as with much of the output from New Zealand, there is a calm “home-grown” feel to the work. Mocumentary films have generally left me feeling unsatisfied whilst the Point of View or “discovered lost footage type films also generally do very little for me; although As Above As Below (2014) was a notable exception. Often these films try to be too earnest or try to achieve too much on too small a budget to disastrous effects.
What we have here is a perfect example of knowing what you can do and making it work. As the film starts we are introduced to the cast of characters through Viago (Taika Waititi, The Green Lantern, 2011) a 350 year old vampire who, we learn, came to New Zealand in search of the love of his “life” after she moved there. The fact that his servant put the wrong postage on the coffin meant that it took him 18months to reach there, by which time she had fallen for another. Such are the stories which brought Viago and his flat-mates to where they are. We have Anton (Rhys Darby, MIB 3, 2012) and Vladislav, (Jemaine Clement, Flight of the Conchords) the lothario or the group, but we learn his powers have been seriously weakened by his crossing paths with “The Beast” and Petyr (30 Days of Night, Heron, 2007) who is the oldest vampire and resembles the classical “Nosferatu” given to us by Max Schrek ( Nosferatu, 1922). Deacon (Jonathan Brugh The Almighty Johnsons, Mascot man, 2011) the youngest and most rebellious of the group, he has serious issues about doing the washing-up.
Together, they make up a “normal” group of flatmates who are basically trying to get on with life (or death) as normally as possible. We see the flatmates through various stereotypes ; organised & controlled, sloppy , “divil may care” etc. The plot as such is that of a camera crew following the guys in the weeks leading up to the Un-holy Masquerade Ball. This film should not be funny because many of the standard vampire gags which you might expect are all there and in many cases are well sign-posted. But for those that are sign-posted there are many other gags which also work just as well which are fresh to the production. We see the guys go about their lives and join them on their night’s out and feeding habits. Their feeding is facilitated by Jackie (Jackie van Beek, Shortland Street , 1999), Vladislav’s human Familiar who through her not very competent efforts finds them two not very virginal virgins to feed on, they subsequently end up turning Nic (Cori Conzalez-Macuer (Eagle v shark, 2007) in to a vampire, much to Jackie’s disgust as she has been wanting to be turned for quite some time. Nic has a friend Stu who he invites over to meet the guys and against their better judgement the they strike up a friendship with Stu who heads out with them on their nights’ socialising.
Such is the friendship that he is invited to the Ball by the guys, the fact that he is alive does not go down well with a number of the guests, including “The Beast”. A subsequent run-in with some of the local werewolves provides for a minor comic twist near the end, capping out the story.
The movie works for a number of reasons, the script is sharp and flows well with some quit finny lines spread through-out. Dealing with a subject matter of vampires one might expect hugely expensive visual effects or indeed attempts that are so pitifully awful they make us cringe. Not having the budget for the former and too much class for the latter Clement and Waititi who both directed the film struck the right note. The special effects are kept to a level which does not over-extend their abilities while at the same time restricting them for best comedic effect.
This is not an overly long movie, which moves quickly while bringing you with them all along the way. The jokes follow the situations with some excellent delivery. **** movie.