Spy

What a relief to watch some good old fashioned fun. Written and directed by Paul Feig (Bridesmaids, 2011) the premise of the film is simple; the bad guys have a bomb they want to sell and the good guys have to stop them. Sounds easy but there are some problems. The star of the show is Susan Cooper (Melissa McCarthy, The Heat 2013) a desk bound CIA analyst who works with her super-suave field agent Bradley Fine (Jude Law, Sherlock Holmes 2009).

However things go badly wrong when the daughter of the terrorist they were tracking (and accidently killed) takes out Fine. In the process The agency discovers there may be a mole and the identities of its field agents may be compromised. The CIA section head responsible for recovering the situation is Elaine Crocker (Alison Janney, The West Wing, 1999). Opinion is divided on how best to continue, their other super-spy (self-professed ) Rick Ford (Jason Statham, Wild Card 2015) Ford adds a comedic balance to Cooper providing us with a character more like Inspector Clouseau, than James Bond. Knowing that all of the best agents have been compromised Cooper volunteers to go into the field.

Despite initial objections, Crocker eventually agrees to put Cooper in the field. It turns out Cooper is actually quite good at what she does regardless of what here friends and foes think of her. Ordered to track only their main suspect in order to find where she is selling the bomb and who to. Pretty quickly all of her plans collapse, largely as a result of no fault of hers.

Rayna Boyanov (Rose Byrne, Insidious 2010) has the bomb and has engaged Sergio de Luca (Bobby Cannavale, The Station Agent , 2003) as her middle man to sell it. Out in the field Cooper is supported back at HQ by her friend Nany Artingstall (Miranda Hart, Miranda 2009) an equally frustrated analysis.

Through a whole host of challenges Cooper repeatedly survives and gets closer to the bomb, despite the best efforts of colleagues who through their general incompetence or in-experience prove to be more than a hindrance. Agents like Aldo (Peter serafinowicz, Guardians of the Galaxy, 2014) sent in to help here continue to provide chaos.

This is a cut above the usual spy comedy. It quite happily pokes fun at itself without compromising the production. There will of course be the inevitable comparisons with 007, James Bond with the movie itself contributing to this with some subtle and not-so-subtle homage to the above names super-spy. Casino Royale springs to mind – not just the 2006 version by Martin Campbell (Daniel Craig, Eva Green, Judi Dench) but strangely enough the 1967 version by Ken Hughes staring David Nivenm Peter sellers and Ursula Andress.

The cast is excellent, the script witty, the jokes (including the visual ones) are fast and many, this movie quite simple works where other descend in to a swap of stupidity.

I saw this movie as a preview and the audience loved it. so it should do well.

Spring

Written and directed by Justin Benson (resolution, 2012) , with additional co-direction by Aaron Moorhead (ditto), this is one of the more different movies you will view in a while. This is a film which reward you for sticking with it. It has been described by some as a little weird, I would npot go that far, but it certainly has echoes of HP Lovecraft.

The film revolves around Evan (Lou Taylor Pucci, Evil Dead, 2013) who is having a fairly depressing life back home in theUS. His mother has just died after a long illness and on top of that he has just lost his job as a chef in a bar as a result of a fight. Not knowing what to do withhimself and fearing arrest, he decides to leave and settles on Italy as a destination.

He quickly meets two other backpackers and falls in with them as they spend time around the Naples area. It is during one evening with them that he meets a mysterious woman, (Nadia Hilker München 7, 2013) who toys with his affections. Evan meanwhile decides to stay for a while as the other continue on their tour. He finds a place to stay with an equally enigmatic old farmer (Francesco Carnutti, The Order 2003)He eventually tracks down and wins over the hand of the woman in question.

As their relationship progresses, there are certain restrictions and mysteries. Just as we are putting the pieces together Benson throws us just enough to answer the immediate questions. The “love affair” element is not in and of itself sufficient to keep our interest, so the additional mysterious slant adds to the story. Without giving any plot lines away, there is an interesting twist to the woman’s secret which will impact on their future time together.

As the movie progresses, the focus becomes more on the future rather than the past or present and the dark secrets associated with both.

One drawback is the stereo-typical presentation of rural Italy, I watched this film with an Italian friend (by coincidence) and he was a little put out by this usual practice ( I had to point out how this is also done with regard to Irish based films, sadly)

As the end nears and the horror element shows itself the movie continues at the same pace, forcing us to investigate more, what is happening? The movie ends with a big question hanging over them both. Will somebody have to sacrifice a life? Just how much is love worth.

This is not the fastest movie in the world and you will not have to suffer too much bloody carnage, but you still find yourself being brought along by this original story. The direction is a little rough in places but over all a solid *** production.