At first glance one might be tempted to write off the movie as potentially just another case of teen hardship and angst as they are confined to a place the y do not want to be in and watched over by social workers who are little more than prison guards, but if you did you would be wrong. Written and directed by Destin Daniel Cretton, this is only his second directorial feature (the first being I Am Not a Hipster, 2012), but it certainly benefits from being previously a short story which he filmed in 2008.
What we have are a number of carers or social workers including one new to the short-term facility, who to be brutally honest are not much older that the teens in their care. The stars of the show are Grace (Brie Larson, Don Jon, 2013) and her fellow carer/boyfriend Mason (John Gallagher Jr. Jonah Hex, 2010). Her introduction to the kids comes in the shape of Sammy on one of his many attempts to run away (Alex Calloway, 50 Kisses, 2014). This is an example of the stress children and adults are under, however there is one kid, Marcus (Keith Stanfield, Selma, 2014) who is now coming to an age where he will need to leave the system he has been in for so long, he has anger issues and you can’t really blame him. There are also a number of other kids with their various issues which challenge the staff physically and emotionally. The relationship is supportive and caring from the adults, it is a refuge not a prison.
Even with this we see how the work influences the counsellors, the older members of the team have come to terms with many of the pressures of the job, while the newer, younger counsellors come to terms with their charges and how to deal with them. This is not a TV movie where the kids’ lives are transformed in to a world of happiness. No, there are issues, some cannot mix, some won’t; some are leaving but are not ready, others might be. This story is told through the kids in the facility but it is as much about the carers and how they grow into the role; how it shapes them. Although the centre is essentially the centre of all their lives, we do get glimpses of the Grace’s and Mason’s lives at home, they live together. We learn their own histories and see the motivators that brought them to where they are today and which will drive them to make the decisions they need to make, especially after Grace’s unplanned pregnancy
The ground covered by Short Term 12 is well travelled and could have been a lot less effective except for the sharp script, snappy edits and Cretton’s ability no know just…well actually his ability to do his job well. He gives us characters we can engage with, who we want good things for. This is an engaging and entertaining offering well worth the time. Each of the stories, whether of the carers, the kids under care or even all of them, has some sort of a climax, maybe not a clean ending but a climax.