Some directors take a life-time to get established, however Paulo Sorrentino (The Great Beauty 2013), has done this in less than half a dozen films. Those not used to Sorrentino’s works might take a little while to get into this movie, but when you do, it will reward you. The movie is set around an elderly Maestro, played by Michael Caine (Get Carter, 1971) who while trying to enjoy a holiday in an upmarket Spa-hotel in the Alps with his daughter and best friend (Mick Boyle, played by Harvey Keitel (Thelma & Louise, 1991)), who is trying to write his final masterpiece screenplay). Despite the tranquil setting (with camera-work to match) there is an underlying tension, the Maestro’s daughter is unhappy with the treatment of her mother by her father, who he last visited 20 years ago (was it her grave he visited?).
Much of the film is made up of the Maestro and Boyle working through their issues, usually together, while not allowing the tranquillity of the surroundings to be interrupted. Their time at the hotel is enlivened (relatively speaking) by a young actor, Jimmy Tree (Paul Dano, Little Miss Sunshine, 2006) also staying in the hotel as he prepares for his next role, keeping mostly to himself, and not imposing himself on any of the guests.
Behind all this, pressure is being put on the Maestro to perform his most famous piece of music as part of a celebration of the Queen’s birthday, the request is personal from the Royal family and not just some producer trying to fill an event programme. Boyle meanwhile is working with his writing staff on what could be his last great screenplay. Added to this is the fact that the Maestro’s daughter is married to Boyle’s son, however they are splitting up due to his infidelities, both fathers show their displeasure with the young man.
As the movie progresses with the heroes working through the issues, the viewer is drawn in by the musicality of the presentation, the visual aspects are stunning and the acting perfectly levelled for the work in question. I could go into detail on the plot and ruin the movie, suffice it to say, this is a movie to sit-back watch and enjoy. Sorrentino’s own The Great Beauty (2013) or Assayas’s Clouds of Sils Maria (2014) would be similar to this one.
Don’t be fooled by the slow/serene start, this movie grips you from the start and walks you along the Alpine storyline right to the end. Each of the leading cast gives the type of performance we’ve come to expect from each of them. Well worth experiencing.