An excellent all round piece of work.
Written and directed by Peter and Michael Spierig, the team behind Daybreakers (2010). Time travel has been conquered, at least to a limited extent based on a time zero in the early 1980’s. From this time limited travel over a period of 53 years is possible. However the time travel take its toll on those who travel, slowly degrading them physically and mentally. The number of jumps in time is regulated and overseen. The time travel itself is secret and limited to 12 agents in the Temporal Bureau, the travel is controlled and monitored, with strict rules about missions and and deviations from missions. The impact of travel is carefully monitored. Noah Taylor (Lawless, 2012) plays the part of Mr. Robinson, the shadowy figure who seems to interweave the lives of our protagonists, his role and influence becoming clearer as the story progresses.
The Story opens with an agent (Ethan Hawke, Before Midnight, 2013) trying to stop a bomber detonating his latest effort when the arrest goes wrong and the agent is blown-up and nearly killed, such are his injuries that his have needs to be reconstructed. The reconstruction allows him time to get ready for his last case, the travel back to hunt for the “Fizzle “ bomber, a serial bomber whose works have been escalating to the extent that in March 1975 he killed almost 10,000 people in New York.
Our agent recovers and returns to the time as a barman, he he meets a woman a single mother (Sarah Snook Sleeping Beauty, 2011), with a fascinating story, one she says cannot be beaten. The story details her unique life from the day she was dropped off in an orphanage and the various struggles she had fitting in (her younger self played by Freya Stafford) right up to her adult life and the challenges she has faced. We see how these challenges have quite literally shaped her. The agent listens and actually offers her a a chance to make do a wrong, a chance she finds unbelievable, she takes him up on the offer. He lets slip a little detail of her life, how did he know this, he explains it away, but we are warned.
Pretty soon, it becomes obvious that things are not as they seem. This is a thriller, one where suspense is not a dirty word. I am tempted to say there are a number of twists to this move with plot developments coming left, right and center, but that would be to do the film a dis-service. This plot is one of the most well thought-out I’ve come across in years, there are not twists in the plot so much as well directed curves which ultimately lead us to the climax.
I cannot say too much because to say anything risks giving away an excellent plot. This is a film where all of the aspects must come together for it to work. The script is tight, remarkably so, the cinematography is aligned perfectly to the plot developments, with the subtle stylization for the different time periods. Movies with twists are often just average movies where a writer or producer etc. decides something else is needed. Here there is nothing else needed. This is a carefully plotted story which brings you along .
If you are the type to run about in and out to the kitchen making coffee or pop corn during a movie, then this one is not for you. Once you turn on this film you need to sit down and watch it through. This is a story with no space fillers or padding. It is brilliantly executed. A lot cold be said to analyze this film and the subject of time travelling paradoxes, but that would ruin the experience of the movie. That said it would be no harm to understand the concepts of the paradoxes.